Articles
For architectural diversity, few French cities equal Nancy, which is in the core of Lorraine, 146 km (91 miles) due east of Paris and directly south of Metz along the A31. Medieval decoration, 18th-century grandness, and Belle Epoque fluidity rub shoulders in the city center, where the hustle of commerce mixes with noble elegance. The majesty derives from a long history as realm to the all-powerful dukes of Lorraine, whose double-barred crosses figure prominently upon local statues and constructions. Never having fallen into the rule of the Holy Roman Empire, or, more latterly, the Nazi Germany , this Lorraine city keeps an everlasting French appeal.
With car hire in Nancy you will come across a city at it's most utterly French, with it's harmoniously built squares and buildings, which, as vestiges of the eighteenth century, have the calm culture associated with the finest in French architecture. Interestingly enough, it was a Pole, and not a French person, who was responsible for a good deal of what constitutes picturesque in Nancy. Stanislas Leszczynski, ex-king of Poland and father of Marie Leczinska (who wedded Louis XV of France) was afforded the kingdom of Lorraine-Habsburg from his majestic son-in-law on the agreement that upon his demise it would return to France. Stanislas established himself in Nancy and dedicated himself to the glorification of the city. Nowadays place Stanislas remains one of the most endearing and perfectly proportioned squares in the world, with place de la Carriere (found through Stanislas' Arc de Triomphe) with 18th Century houses a close challenger to this honor.
Art Nouveau Nancy
Nancy was a primary origin of the revolution in decorative artistries, which as it evolved, developed into Art Nouveau and Jugendstil (the German adaptation of Art Nouveau). Animated and organised by the glass master Emile Galle, the localised movement, formalised in 1901 as L'Ecole de Nancy, parented the floral pate de verre (literally, glass dough) works of Antonin Daum and Galle, the Tiffany-esque stained-glass windows of Jacques Gruber and the fluidness of Louis Majorette's furniture designs; and the sinuous archi Lecture of Lucien Weissenburger, Emile Andre, and Eugene Vallin. Thanks to these artists, Nancy's civic centre architecture affords the impression of a living garden suspended above the pavements.

